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Carlo Parcelli
Eschatology of Reason:
The South Tower
Ah, Mercury!
You kleptocratic little fuck.
Wheeler-dealer, thief, errand boy.
Part Bull Market,
Part FTD truck.
A corporate logo;
Hood ornament on Detroit�s
Highway to Hell.
For my money,
I�ll take Typhus Argos.
Trade as a plague, irreversible�
An ancestor of theoretical chaos,
Destroying what he cannot know
With more not knowing.
But which pestilence blossoms
Behind the crew team at Yale?
Not Typhus, but Mercury�s cloned bouquet,
The water
Pawed by the oars
Composes itself.
Action in a medium without consequence.
Perspective converging
In a little world. A little world
That flattens existence
Until we all fall off.
The Argonauts
Ran into Talos, the first robot;
Actually a home security device
Engineered by Hephaistos,
To guard the island of Crete
For the wealthy industrialist, Minos.
And Hephaistos, aside from being a god,
Was the Bell Lab of his time.
If those guys fucked up,
What chance did Westinghouse have?
Alan was not trying to convince us
That his Universal Turing Machine
Was indiscernible from a human being,
But that he was.
Remember the interrogator must distinguish
A full-blooded woman from a computer
That is pretending to be a man
After a round in which the interrogator
Tries to decipher a woman
From a man claiming
To be a woman.
Parlor game theory. A charade
For fear of exposure and disgrace
Shapes desire in the engineer.
So, more than the arts,
Cognitive science is in
The business of passion
Out of raw need.
A dangerous misrepresentation
Of product R&D.;
It�s damned difficult to troubleshoot
Such a dissembling epistemology.
The Greeks
Had been tipped off
Early on
To end of the world.
Flatness was an ecological measure.
That the instant the Argo
Broke from the shore
Typhus was helmsman
Consciously selecting a path, but
Also, unconscious agent and spore.
But unhappy evolution found its denouement.
The mechanism for the end of time was tripped.
Anyway, that�s the prophecy.
It took the callowness of
The Renaissance & Enlightenment
To make the West the agent
For the end time.
It took an ever encompassing
Mathematical precision
To lose sight of Iolcus.
It took the abject denial of anything lost
To expose the estrangement.
And it left A.I., A.L. and
Nanology, the �grey goo,�
To re-imagine generation
In a way commensurate
With a world where
Every birth, every bud, all life
Is too late.
Kant said never treat a thing
As though you know what it is.
The antithesis of the ars sciencia.
As Latour: ��[P]roperties
Looking for a substance to belong too.�
The mass media is
The false bottom of history
As history is
The false bottom of experience.
And science is
The false bottom of reality
So that reality�s conception
Is beyond redemption.
Every time the shuttle leaves,
The earth prays that
Its for good.
That the exodus has begun
To some terra-formed inferno
That nano-robots have built. Great,
Sterile, domed cities
For pale, reasoning conquistocrats.
Earth prays that their silicon and metal descendants
Are already extracting the wealth
From some otherwise
�Purposeless� world.
Warp speed, white gods.
Rush to truss up your destiny,
O, Dust of Stars.
Don�t expiate upon Mother any longer.
She�s dead.
I think you should go.
The triggers and signs are everywhere.
Kleptocrats are crowned kings.
Is the meadow flowering in spring
Life or death? The biologist asks
�What is nature trying to tell us?�
As though he just got here.
When the ice cap melts
His conclusions take the form
Of his estrangement.
A world so ill-suited for your science
That Bruno offered you many others
If you would forgo
Destroying this one.
This interlude has concluded badly.
And there�s no desire to delay your departure
Much less concoct some
Form of retribution.
She�s dead.
You should go.
For Seneca had said, �The Thessalian wood, [the Argo]
Had destroyed the wise laws
Of the world
And the judicious separation of its shores;
The sea suffered the scourge of oars
And it, formerly separated from us,
Became frightful to us.�
The earth spread
And gave birth
To many strategies.
But the timid annihilated everything.
Imperial Seneca should know.
The ingenuity to explore
Is not sufficient for exploration.
She�s dead.
You should go.
Water, water, everywhere
But not a drop to drink.
The next great market
Turns out to be an unintended consequence
Of attempting to purge metaphysics
From language.
The universality of the Second Law
Is but the chill bucket of
Goedel�s Second Theorem.
Immortality is a stagnant, brine pool,
The thickening endtime of our commedia,
Even less when adopted for body parts,
Drill bits and heat transfer.
Who could have fucked up like this?
What absurd metaphor
Towers as a Paradise of sand,
Furnaces and ore?
�It�s too late baby.�
Even as such infantalia
Fizzes in the waves.
�But we really did try to make it.�
Like Hell,
Grants for a dying planet.
Extinction puffed
For charitable contributions.
Product recognition for the Apocalypse.
Where Lockheed, Dow & Shell could co-exist
With a Billboard top 100 armistice.
But what subterfuge is otherwise
That by its invention,
Invents its own demise.
Dien Bien Phu to Cu Chih.
Altar & ant farm,
French Olympus & Viet Minh Hades.
Get �em while they last, Camus.
And you�d think Nothing
Would get their attention
Like the end of the world, that
You and I live through.
If you first declare the numbers innocent,
The L values,
And the orders are dictated by the numbers,
We all were just following orders
And the engineers escape the noose.
The industrialists escape the noose.
The politicians and their counsel escape the noose.
The West slips the noose
Having mistaken a Moebius strip
For a fan belt.
Could Bayes� Theorem have saved the Twin Towers?
No. But it saved its creators.
�Because it is visualizable,
And thus cognitively accessible,
[Because it is visualizable],
[Because it is visualizable and thus]
Molecular orbital theory
Permits chemists to think
About molecular structure
And its implications...
In a way that numerical methods do not.�
Recursive in ways that numerical methods are not.
Bohr cautioned about abandoning
The Argo�s periplum.
To instrument fly in the quantum.
That lead to �artifacts from raw data,
Features that mark no external,
Physical structure or process...�
That get lodged �within
The body of scientific belief,...
Inextricable� since the tyranny of its numbers
Overwhelms any redress
Or that accounting for regress
Can�t be vectored in.
A world �constructed...by the algorithms
Data must pass through
To be turned into scientific fact.�
Thus we pass out of care of the world
Just as Heidegger named it;
One precious metal at a time.
Reason is a zero sum game
With coiled cables of history
Leaving the slag and tailings
As grave markers and
Discount under the suspension of belief.
The lies are not simply self-serving.
They are hierarchical.
Lies of tribute
Foreshadowed in generic forms
Of corruption among the elite.
The enlightenment was renaissance
For the lie
Curing a set of universal applications.
A method that legitimated any failure
As preferred;
Any contingent, inviolable,
To hold off the oaths and curses
Of the dying.
Whole new markets for perfidy
Sprang up on the frontiers of extinction.
The gold of reason
�Democratized� to the brass of rationalization,
Or the iron of serfdom
Into the stainless steel of
Genetic bondage.
Diseases so virulent
That there is no kinship in dying.
Not even in the face of Armageddon.
The described in the thrall
Of the description.
Taxonomies so fine
A lifetime is required
For their anchorites
To isolate themselves
From everything else.
To cave dwell their grand metaphor
For all the world to tour.
To take the increments of the perceived
And package them
As perception itself.
�...[T]he incorruptible logic
Of a dispassionate mathematics.�
And the day is rapidly approaching
When we will not be grateful
For this mediated inhumanity.
Where we will not console ourselves
With the hopes of the misguided
And not be anxious about how they�re getting on
Working the toxins
And timetables
For our masters.
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Installments of "Deconstructing the Demiurge" include:
"Crimes of Passion"
"Work in Regress"
"Onionrings: Adding machines_Crisco"
"Collateral Damage, or The Death of Classics in America"
"How Dead Industrialists Dance, or Swing Time"
"Tale of the Tribe"
The poet's comments on his growing poem:
"Is Everyday Language Sufficient to Embody Everyday Experience?"