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Carlo Parcelli
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third selection: From Deconstructing the Demiurge: a work in regress: How Dead Industrialists Dance, Their visages were more horrid than anything Alighieri or Even Stephen King had to endure. For straight on and somewhat Below on a Baked and Barren Plateau advanced Commodore Vanderbilt and Jay Gould and they Appeared to be dancing cheek to cheek; an Improbable Tango With the Commodore's right hand outstretched, clutching Gould's Left, as they shuffled to meet our Crew. And when they had closed To 60 feet 6 inches or so, I gasped to realize their Fate. For though Their bodies were intact and clothed in Tatters that still Hinted of the Tycoon, the Hemispheres of Their Heads had Merged so, that there remained but two nostrils, one Vanderbilt's and one Gould's forming one Awry Nose. And their Mouths were Likewise fused and Each One's Urgent Words tore at the Other half, building, building, building into an Apocalyptic Wrath that could only be doused by The Second Coming. But each Garbled Volley Subsided like a Wave shushed by the Shore For as the Creature struggled to draw Breath The Commodore and Mr. Gould wrestled to Rake the Air into their lungs; a struggle that Convulsed their entire Beings like Snakes Pinned to the earth with a Pike or a Fuel Line Under High Pressure writhing near its Source. Each fought to steer the Foul Atmosphere into their Breast Through the Single Portal formed by their two Mouths "Can they speak," I asked Mammon As soon as I shook my swoon. "You've got More stomach for these Horrors than had that Washed out Florentine," glossed Forcas, slapping my Back. "Long afternoons watching Horror Flicks and War Movies on the Silver Screen has made me Immune." "Ah yes, Hollywood," Smiled Mammon, "What better Boot Camp for the Amusements of Hell." And in this way, the Poet lied in order to wallow in this Devil's Fellowship. For any Citizen Like he, reaching Satiety sheds The Compulsion to be Entertained. And comes to know Such Exhibitions as Conscious Agents of Terror and Pain.
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Other installments of “Deconstructing the Demiurge”
“Crimes of Passion”
“Work in Regress”
“Onionrings: Adding machines-Crisco”
“Collateral Damage, or The Death of Classics in America”
“Tale of the Tribe”
“Millennium Mathematics: The Centos”
The poet’s comments on his growing poem:
“Is Everyday Language Sufficient to Embody Everyday Experience?”
