Katy Deepwell Narratives of Women Artists in/out of Vorticism Repositioning Vorticism : Part 10: Vorticism Beyond Painting and Sculpture Video recordings from the Tate Britain conference http://bcove.me/9zu2vhyf

FROM: Women Artists and Modernism Edited by Katy Deepwell Manchester University Press 1998 ISBN-10: 0719050820 Chapter 2, page 36: Jane Beckett and Deborah Cherry Modern Women modern spaces, women, metropolitan culture and Vorticism

FROM: Vorticism: New Perspectives Hardcover by Mark Antliff and Scott W. Klein (Editors) Oxford University Press  2013 ISBN-10: 0199937664 Chapter 7, p. 119 Miranda Hickman "The Gender of Vorticism: Jessie Dismorr, Helen Saunders, and Vorticist Feminism"

Lisa Tickner Men's Work? Masculinity and Modernism online posting Visual culture : images and interpretations

Modernism, Magazines, and the British avant-garde: Reading Rhythm, 1910-1914 by Faith Binckes Oxford English Monographs, 2010 ISBN-10: 0199252521 Includes discussion of Jessica Dismorr, Margaret Thompson Zorach, and J.D. Fergusson, their colleague and former instructor. "This book is a re-examination of the fertile years of early modernism immediately preceding the First World War. During this period, how, where, and under whose terms the avant-garde in Britain would be constructed and consumed were very much to play for. It is the first study to look in detail at two little magazines marginalised from many accounts of this competitive process: Rhythm and the Blue Review." - publisher Digital facsimiles of Rhythm and Blue Review are both viewable online at : The Modernist Journals Project

Catherine Elizabeth Heathcock Jessica Dismorr (1885-1939) : Artist, Writer, Vorticist Full text free online Biography and list of Dismorr's works University of Birmingham, 1999 386 pages http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369709

Jessica Dismorr and Catherine Giles Exhibition Catalogue The Fine Art Society London 2000 31 pages

Helen Saunders, 1885-1963 by Brigid Peppin Foreword by Richard Cork Ashmolean Museum, 1996 57 pages ISBN 10: 185444087X "Since Saunders' early work earned her a respected place in experimental circles, the gathering obscurity of her later years seems cruel. She endured the neglect with uncomplaining stoicism, for her innate warmth prevented her from succumbing to bitterness." - Richard Cork in the Foreword

Lisa Tickner The Spectacle of Women: Imagery of the Suffrage Campaign 1907-14 University of Chicago Press 1988 ISBN-10: 0226802450 Many of the suffragists were artists and the design of banners, posters, pamphlets, lapel pins, tea cups and other merchandise was an important part of relaying the message of suffrage.  This book covers the effectiveness of the visual campaign employed by the suffrage movement.

FROM: differences: A Journal of Feminist Cultural Studies Summer 1992, 4.2: 100-133. "Militant Discourse, Strange Bedfellows: Suffragettes and Vorticists before the War." by Janet Lyon Article on the suffrage movement and developments in art before World War I. Discusses analogies and interactions between militant suffragettes and radical artists of the avant-garde (e.g. vorticists, futurists).  [Note: compares the language of the suffragettes to the language of Blast, etc.]

Univ of Delaware Press 2009 ISBN-10: 0874130352

Clever Fresno Girl: The Travel Writings of Marguerite Thompson Zorach (1908-1915) Edited by Efram L. Burk This volume features thirty art-related travel articles by the American modern artist, Marguerite Thompson Zorach (1887-1968), reprinted for the first time since they appeared in her hometown newspaper, the "Fresno Morning Republican", from 1908-15, the period that corresponds to when she was studying art in Paris at La Palette and traveling throughout Europe, the Middle East, and Asia. Her writings relate to the cities, museums, and cultures in her whirlwind Grand Tour to which she brought incisive and critical commentary. The accompanying essay examines her life in Paris, the people she met, and the art she was exposed to, and how all of this helped shape her own work and identity as a woman artist, a world traveler, and an American. In her travels and activities as an artist, Thompson pushed the perceived boundaries of gender conventions and stereotypes during the first decades of the twentieth century. - Publisher

Marguerite Zorach: The Early Years, 1908-1920. Tarbell, Roberta K. & Taylor, Joshua C. National Collection of Fine Arts Smithsonian Institution Press Washington, D.C., 1973 77 pages. 1974 Exhibition Catalogue. 3 color plates, 42 b&w illustrations. Marguerite Zorach (a.k.a. Margaret Thompson) studied with Jessica Dismorr & traveled with her in Europe on drawing trips.  More information on Marguerite Zorach is on the website of William and Marguerite Zorach: http://www.exitfive.com/zorach/marguerite.html

Richard A. Warren at wordpress.com includes Images and texts by and about Helen Saunders and Jessica Dismorr https://richardawarren.wordpress.com/helen-saunders-a-little-gallery/

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VORTICISM AND ABSTRACT ART IN THE FIRST MACHINE AGE Vol. I: Origins and Development Vol. II: Synthesis and Decline by Richard Cork University of California Press, 1976. "The first complete survey and critical evaluation of the vorticist movement in England."

Flashpoint Magazine: a Journal of the Arts and Politics - Issue #17