thinking is linear you 'take it' from there to here
oh, there are 'pauses" that is a 'given' as is in its
punctuation (one does not "hear" or "see" in mind ';'. or ':', or
',', or '.', or '!', or '?', sees or hears as inflect over a
DO NOT ENTER, sign? very faint "clicking" sounds not like a "real"
upright say an UNDERWOOD not it s timbre
no! That IS not it
at all. not what I MEANT to say/write.
it is these ragged pants w the cuffs rolled down
OLE POSSOM wrote a terr rrific poem... it is Rock Proof....
what you are now reading ain't about Stone Girl this is a legitimate
graduate-student style 1972 dissSirTation! And is
O N L Y in the reading..not the saying nor any possible
footnote can clear it up... or any sited authority condolesce "it"
words wo rd s wds what IS the matter?
w woids? Uncle Miltie wasn't Kate Smith! or Her Nibs/ Georgia Gibbs...
which is/are 'taught' in Shakespeare's OURS POETICA 312 TTh 7:43
(who was actually 17 'other' hack writers in
Bawdy Olde Hinge-land?
and in Baltimore drunken 'raven' pecking on her wind-oh-pain...
then we skip to the Immortals ( the Chinese "Legends" 12 th
Century..,. far enough away to draw
Brelly, Shyn-run, and Creates
who, together, made many copies of that ancient rime of the marinade...
walking and Bashing (Basho -get it?) FRANK in Schtine..
long before Kinko's Copy Center was a 24 hour operation
replicated.... well, Gide cums to mind Our Lady of....
so and this within and without either Bremser OR Micheline
to pin this down... it s an history much less an histor-erect-to-me
lets see a little less "scattered-form (angst) and more of a narrative
after all we ALL got narratives
and got to "here" one step at a time... so to speak;
and the 'means'
to USE our OWN ED
voice! regarding its regardlessness let down..like hair
(In a letter to John Martone, Pierre Joris, Jerimy Seligson, and Bob